About Me.

Ellie Riggs

A Classics student and researcher who combines philology, thoughtful historical analysis, and computational methods to recover, interpret, and elucidate the voices of the ancient world.

I am a senior at the University of Florida studying Classics and computer science, intending to pursue a PhD in classics after I graduate. I grew up in Cocoa, Florida, only a few minutes from the Kennedy Space Center. I first learned to love classics as a high-schooler through Certamen, a Classics-themed Quizbowl, and I now spend many afternoons volunteering as a Certamen coach. When I'm not reading Latin grammar textbooks or Homer's Iliad, you can find me baking, painting, or reading novels.

Research Interests

My research interests fall under a few broad categories: the expressions of and reactions to female intelligence or literacy in Greco-Roman culture, the development of meaning through Ancient Greek and Latin grammar, and the use of digital humanities in the broader field of Classics.

Research.

Research Project

The Signature of Sulpicia: A Syntactic Analysis

Principal Investigator

Ellie Riggs, Dr. Andy Nichols

Institution & Department

Department of Classical Studies, University of Florida

Time Affiliated

May 2025 – PRESENT

Context

The eleven poems associated with Sulpicia, some of the only surviving Latin poems by a Roman woman, remain a central mystery and debate of Augustan literature. Some argue all are the genuine work of a woman named Sulpicia, while others attribute them to Tibullus, a poet whose book contains the Sulpician elegies. Others still divide the poems, positing some were written by Sulpicia and others by an anonymous auctor de Sulpicia.

Research Focus

This study approaches the disputed authorship in a new way, distinguishing between conscious stylistic differences, which can be imitated, and unconscious stylistic differences, which are difficult to alter and therefore suggestive of a different author.

To study conscious style, this paper examines specific syntactical constructions and phrasings in Tibullus (Books 1-2), Sulpicia, and the auctor. The analysis supports the established view that Sulpicia’s poems display unusually complex syntax compared to Tibullus. It further identifies several grammatical patterns that are constructed differently in Tibullus, Sulpicia, and the auctor.

Meanwhile, to study unconscious hints of authorship, this paper borrows a concept from stylometry: the study of most-common words in texts as a marker of authorship. Analysis of the results from a Python program created for this task suggest that Sulpicia’s dominant vocabulary diverged significantly from Tibullus and the auctor, while the auctor’s vocabulary differed minimally from Tibullus.

These findings suggest that the poems traditionally attributed to Sulpicia reflect both conscious and unconscious patterns distinct from Tibullus.

Project Responsibilities

I completed all of the scholarly review, wrote the two Python programs used for syntactic analysis, translated all the relevant works, organized and collected data, and wrote the paper of findings.

CAMWS Poster Presentation

Research Project

Her Words, His World: A Computational and Philological Study of Powerful Female Discourse in Roman Epic and Tragedy

Principal Investigator

Ellie Riggs, Dr. Flora Iff-Noel

Institution & Department

Department of Classical Studies, University of Florida

Time Affiliated

May 2026 – PRESENT

Context

Rome in the first century B.C.E. and the first century C.E. was marked by monumental shifts in governmental structure, major social tensions, and an unparalleled abundance of primary sources. Roman women began to feature more prominently in politics, as marriage laws granted them greater independence and early Empresses started playing an important role in government. However, very few sources were actually written by women. They are short, of disputed authorship, and do not address the increasing roles of power for women. The lack of sources representing this important perspective hinders scholars’ ability to carefully understand and interpret this crucial time period.

Research Focus

This multi-disciplinary project will combine my background in translating and interpreting Roman primary sources with my experience in computer science to analyze the discourse of two powerful women in the literature of the late Roman Republic and early Empire.

I will study female discourse within the male-written literature of the late Republic and early Empire as a possible proxy for powerful feminine voices of the time. Two literary characters stand out in particular: Dido and Medea. Unlike many female figures who appear briefly or symbolically, Dido and Medea are granted extended, rhetorically complex speech across multiple genres, making them especially well-suited for comparative linguistic analysis. Their prominence as characters is no coincidence. In their fictional stories, Dido and Medea were members of the ruling class who held great political sway, and both were lovers of the hero-king: in short, each can be easily viewed as a literary representation of the new roles for women in this time.

In Seneca’s Medea, Vergil’s Aeneid, and Ovid’s Heroides, I will focus on the first-person speeches of Medea, Dido, and the male characters around them. This will highlight differences between male and female language in each text, as well as differences among the texts. Using Python programs that analyze Latin texts comparatively, I will identify differences in low-frequency and high-frequency vocabulary and selected syntactic patterns (e.g. dependent clauses, sentence length, conjunctions). I will then conduct a philological analysis focused on stylistic features not easily recorded by computational methods (unusual verb tenses, figurative language, literary allusion, rhetorical features). I will allow each methodology to inform the other, adding new programs and further analyzing dialogue based on the initial results from each approach.

By analyzing how Dido and Medea construct and convey authority in their discourse, I will clarify how male authors acknowledge the growing influence of women through their representation of female speech. Even filtered through the male perspective, this can help scholars understand how real Roman women may have exercised and maintained power through language.

Project Responsibilities

I completed all of the scholarly review, will write the Python programs used for syntactic analysis, will translate all the relevant works, organize and collect data, and write a paper summarizing research for publication.

Coursework.

Major

Classical Studies: Ancient Language Track

Minor

Computer and Information Science and Engineering

Selected Language Coursework

  • Ancient Greek Comedy — GRW6317
  • Latin Prose Composition — LAT6425
  • Greek Orators — GRW4700
  • Pliny the Younger — LNW3930
  • Roman Poets: Vergil - LNW5665
  • Attic Orators - GRW6705
  • Lucian the Sophist - GRW4930
  • Plato - GRW3501
  • Roman Oratory and Rhetoric - LNW6335

Selected Courses from Fall 2025-Fall 2026.

Selected Distinctions

  • Grass Scholar, 2025 Cohort
  • University Scholars Program, 2026 Cohort
  • Dean's Office Undergraduate Scholarship (Charles Vincent and Heidi Cole McLaughlin Endowment)

About My Academic Program

My coursework at UF has been shaped by a deep passion for the ancient languages, including works by Cicero, Vergil, Pliny the Younger, Tibullus, Ovid, Catullus, Propertius, Sulpicia, and Suetonius in Latin, as well as Plato, Lucian, Demosthenes, Lysias and Aristophanes in Greek.

Resume.

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Anticipated Degree

  • Classical Studies
    University of Florida · 2023-2027

Teaching Experience

  • Student Instructor
    Honors Program · August-December 2025
  • Undergraduate Teaching Assistant
    Classics Department · August 2025-May 2026
  • Certamen Coach
    Florida Junior Classical League · August 2024-Present

Languages

  • Latin
  • Ancient Greek
  • Python, C++, R, Matlab

Contact Information

Eleanor (Ellie) Riggs · riggse@ufl.edu · Gainesville, Florida

Contact.

For questions about my research, academic work, or opportunities to collaborate, please feel free to get in touch.